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One day early in the month of September, 2005, I was doing cartwheels and handstands as usual when I started thinking about how great my life had been. And as I often would, started singing a song to go with what I was feeling and thinking about when I became aware of the song I was creating... Female Vocal, Pop Music, Lillith Fair
oriental/turkish style pop track with female vocals, cutting edge drum samples and backing vocal effects, Female Vocal, Pop Music, Lillith Fair
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168472
03:51
Medium
SOMETHING TO BELIEVE IN
(by
Katey Laurel
)
Composed: 2010
Uptempo power-ballad about being confident in the faith one possesses. Female lead vocal, sounds like Sarah McLachlan or Tori Amos. Female Vocal, Pop Music, Lillith Fair
Acoustic pop-rock love ballad with female vocal, sounds like Sarah McLachlan or a female James Blunt. Female Vocal, Pop Music, Lillith Fair
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398261
04:43
Medium Slow
SPIRAL-BOUND NOTEBOOK (DON'T KNOW HOW TO LOVE YOU)
(by
Katey Laurel
)
Composed: 2010
Beautiful acoustic ballad with female vocal displaying love and the wish for the loved one to know how much they are loved. Also has trumpet and piano. Sounds like Sarah McLachlan or Ingrid Michaelson. Female Vocal, Pop Music, Lillith Fair
Rockin' piano-driven power-ballad about the saving grace of that one person or being that picks you up when you fall, loves you unconditionally and makes your life better. Sounds like a more rockin' Sarah McLachlan or a female-fronted Coldplay. Female Vocal, Pop Music, Lillith Fair
Upbeat female pop-rock tune about a love-hate relationship, a little bit of a whiny edgy attitude and sound. Sounds like Sheryl Crow or Avril Lavigne. Bouncy, driving, great beats, catchy tune. Perfect for thirtysomething angst, telling it like it is. What to do? Hopeful but bittersweet. Female Vocal, Pop Music, Lillith Fair
Emotive piano-driven pop rock ballad about the tragedy of love lost. Very introspective feeling, would be great for a driving scene where the female is lost in thought or crying about lost love. Female lead vocal like Sarah McLachlan or Aimee Mann. Beautiful, lush harmonies, sweet and passionate. Female Vocal, Pop Music, Lillith Fair
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398218
05:09
Medium Slow
ANGELS IN THE ATTIC
(by
Katey Laurel
)
Composed: 2010
A mid-tempo reggae-flavored pop rock tune about spiritual dimensions and war of good and evil, quirky, fun and upbeat sounding, female lead vocal. Sounds like KT Tunstall or Sheryl Crow. Female Vocal, Pop Music, Lillith Fair
Uptempo acoustic pop-rock ballad about the loneliness, love & hope of one's twenties. A rite of passage, coming-of-age anthem. Lush female vocals, perfect for romantic drama, boy-meets-girl, excitement about the future. "Standing tall..." Upbeat, hopeful, positive, energetic rhythms & percussion. Female Vocal, Pop Music, Lillith Fair
Light Acoustic Guitars with soft Electronic Beats in the verse and bust into dramatic Drumbeat with a light Electric Guitar and Catchy Female Vocal chorus. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Haunting broken love song about reclaiming the part of one's heart that's been stolen by another. Bitter and sweet recollections of the beauty and pain of relationships. Ends with a spark of faith in oneself alone. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
This inspirational song is for all people who've endured inequality and hardships in this troubled world. A reminder that there is light. A great credits song at the end of an inspiring movie or soundtrack during a scene involving people coming together and/or overcoming all odds. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Originally written for a widow in the voice of her husband who'd died, this song gives expression to universal feelings of loss, love and comfort for those left behind. A death scene, daydream of seeing one's dearly departed, or flashback to memories of a lost love would be complimented by this so, Female Vocal, Pop Music, Lillith Fair
A song about the exhilaration of meeting someone and experiencing new possibilities, along with the fear that goes with opening one's heart. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
Johanna’s extraordinary music combines the emotional depth of Sarah McLachlan, the intimate delivery of Eva Cassidy, the soulful melodiousness of Joss Stone, the indie edge of KT Tunstall, and the improvisational unpredictability of Ella Fitzgerald. Female Vocal, Pop Music, Lillith Fair
A slow, driving song about a love deep and large enough to pull one through the trials of life. Intensify a romantic scene, underscore a love at first sight, or show a character's devotion to a higher power. Female Vocal, Pop Music, Lillith Fair
Heartfelt bittersweet song of longing, reminiscent of James Blunt's "You're Beautiful." A woman thinks back to a summer romance, wishing she could turn back time. Would enhance a flashback scene or montage in a romantic comedy or drama. It's accessible/relatable to anyone from teen to senior citi, Female Vocal, Pop Music, Lillith Fair
Singer-songwriter style female vocals about lonliness, fleeting encounters, and salvation. As Leonard Cohen's Halleluiah has a tender, resonating chorus, this Alleluia has a tone that is similar with a mesmerizing melody. Great for film, TV for a character, searching for happiness. Female Vocal, Pop Music, Lillith Fair
FORGET ABOUT FRIDAY
(by
Richard Ames
)
Composed: 2006
A feel-good track with Latin percussion and lush female vocal humming a sweet and enticing laidback tune. Romantic, flirtatious, dancing, happy and festive. New love, 30-something romance. Urban club, bar, Rio de Janeiro beach party, Latin fashion, catwalk, rich lifestyles, guilty pleasures. Female Vocal, Pop Music, Lillith Fair
REAP WHAT YOU SOW
(by
Rehya Stevens
)
Composed: 2002
Great R&R Female Voc Scream'n Gtr a'la Shelby Lynn/Sheryl Crow. Sassy, spunky, thoughtful lyrics about being frustrated by the system. No Satisfaction vibe. Gritty and full of energy! Great for a bar/jukebox scene. Female Vocal, Pop Music, Lillith Fair
Contemporary Piano Female Vocal , INTIMATE & JAZZY. The theme is about breaking up wishing the other person would have a change of heart and come back home. This would be lovely in a piano/bar/lounge scene or in a cocktail party setting. WARM & SULTRY! Female Vocal, Pop Music, Lillith Fair
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259733
03:28
Medium
I LEARNED A LOT (FROM LOVING YOU)
(by
Rehya Stevens
)
Composed: 2004
A beautiful, atmospheric ballad featuring outstanding vocals, classy piano, and haunting guitars. Lyrics deliver the message that though love can leave you disillusioned, there is always a lesson learned in the healing process. Female Vocal, Pop Music, Lillith Fair
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259729
03:18
Slow
ON THE OPEN ROAD
(by
Richard Ames
)
Composed: 2007
This track is an upbeat pop-rock instrumental with a great groove. Acoustic guitar, drum set, organ, and bass guitar combine to provide a track with a great folksy feel. Instrumental, Pop Music, Lillith Fair
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